Friday, May 24, 2013

FFB: two by Charles Platt: FREE ZONE and TENDER LOVING RAGE (a partial reconstruction from memory of Alfred Bester's novel)

Charles Platt has been a mercurial and often challenging figure in sf, and on the fringes of it, for nearly half a century...in the last decade or so, he has been much more active writing nonfiction for Wired and Make: magazines, and for them and others about his passions, very much including cryogenics, than he has any kind of fiction, but he'd already contributed rather impressively to several fields, not least with Free Zone (1989), which he cites as his favorite of his own novels, and his reconstruction of at least part of the "lost" Alfred Bester suspense novel published as Tender Loving Rage (1991); I have to seek out Platt's collection of essays Loose Canon, or my copy of the novel itself, where Platt explains to what degree he had to replace from memory missing pages in the manuscript, which had originally been written, iirc, in the year or so after Who He?, Bester's similar contemporary suspense novel dealing with life in advertising and commercial writing. Bester's original title for the long-unsold novel was Tender Loving Rape, and the events of the novel were often as brutal as the title suggests, while also being Bester's only attempt at an odd sort of love story, at novel length. While Bester was exorcising some of his demons, including a rather jaundiced view of relations between the sexes (Bester was increasingly uncomfortable as a closeted, eventually mostly-gay man), this was already familiar territory for Platt, as well, albeit while Bester increasingly wallowed in misogyny by the end of his life, Platt in retrospect finds some of his unexamined youthful expressions of frustration, in such novels as The Gas and Sweet Evil, not altogether flattering nor comfortable.

But it's easy to see why Free Zone might be Platt's pride and joy; he had the notion of attempting to incorporate, into one reasonably short novel, every major science fiction trope and cliche which came to mind; a chart at the back of the book cites 71 examples. Platt has always been most comfortable with at least a certain measure of humor to his writing, and Free Zone is breezy and deftly-written fun, as a libertarian socialist enclave, the FZ, in a future/alternate world Los Angeles is not only chivvied by the collapsing fascist state the US has become around it, but directly invaded and/or besieged by all sorts of fantasticated menaces, including aliens, and Nazis from an alternate Earth in which they were victorious in World War II. The heroine, Dusty McCullough, is the chiefest if relatively informal administrator of the nearly anarchist FZ, with a tech-genius/geek male life-partner, and friends and fellow free citizens (including gang bikers), pitted against the sentient dogs and troglodytes, among others, who attack them...also assisted by a hyper-sophisticated robot from the future, sent back and capable of seeing into multiple realities. Platt at his website reports that at least some readers would complain about the affectionately satirical nature of the work, whether because they felt Platt was showing disrespect to his predecessors, or because they wanted a more serious extrapolation along the same lines, or both. I'd suggest the novel moves at an excellent clip, a tribute to how well Platt studied his literary idol Bester, and makes seemingly every point it intends to make, even if he seems at times to think he's created the concept of libertarian socialism (which would've come as news to people ranging from the Anabaptists through the Communards to Noam Chomsky)...I've needed to seek out more of Platt's fiction for quite some time.
simultaneously.

Patti Abbott has the lists of contributors this week and probably a review or two...

Wednesday, May 22, 2013

Tuesday's Overlooked Films and/or Other A/V; new links

Reign (forthcoming on the CW network)
Below, today's set of reviews and citations of audiovisual works and related matter, with the posts at the links... as always, thanks to all the contributors and to all you readers for your participation. And, as usually, there are likely to be additions to this list over the course of the day, and if I've missed your, or someone else's, post, please let me know in comments...thanks again.

Bill Crider: The Doolins of Oklahoma ...trailer

Brent McKee: US tv: CBS and the CW's new season slates

BV Lawson: Media Murder

Ed Gorman/Lee Feiffer: Five Against the House

Elizabeth Foxwell: The Long Arm (aka The Third Key)

Evan Lewis: The Laurel-Hardy Murder Case

Ida Lupino
Fred Blosser: One Foot in Hell

Iba Dawson: TCM Classic Film Fest, Part 2

Ivan G. Shreve, Jr.: The Whistler

Jack Seabrook: Alfred Hitchcock Presents: "On the Nose" (from the Henry Slesar short story)

Jackie Kashian: The Nerdstorian, et al.

Jacqueline T. Lynch: Mary Astor

Jake Hinkson: Ida Lupino

James Reasoner: Shaughnessy, the Iron Marshal

Jerry House: The Beast of Yucca Flats (film itself, at link, mildly NSFW)

Juri Nummelin: Femme Fatale (2002 film)

Kliph Nesteroff: Buddy Hackett bowling

Laura: Kismet (1955 film)

Lucy Brown: Murder on the Home Front (2013 UK tv)

Marty McKee: Vampire Circus

Max Allan Collins: 10 Memorable Spy Novel Film Adaptations

Michael Shonk: King of Diamonds (tv 1961-62)

Mystery Dave: Branded (2012 film)

Patti Abbott: Good Morning, World (1967-68 tv)  (James Reasoner's take, from 2011)

Prashant Trikannad: Ed Harris

Randy Johnson: Perfect Understanding; A Man Called Django (aka W Django)

The Killer Inside Me (2010)
Rick: The Philadelphia Experiment

Rod Lott: Double Team

Ron Scheer: The Spoilers (1942 film)

Scott Cupp: Iron Sky

Sergio Angelini: St. Ives

Stacia Jones: The Killer Inside Me (1976 and 2010) 

Television Obscurities:  It's a Man's World

Walter Albert: The Reckless Moment

Saturday, May 18, 2013

Saturday Music Club: why this blog is called Sweet Freedom...





Well, because I did, for a long time with my ex, Donna Wilson, a radio show called Sweet Freedom, first on WGMU-AM at George Mason University, then at WCXS (then WEBR, now Radio Fairfax) cable radio in Fairfax County, VA, and finally so far at WPPR-FM (now basically the Prometheus Radio Project) in Philadelphia  That lasted, with interruption, for just under a decade of weekly broadcasting/cablecasting/narrowcasting.


The CBS reissue I had first.
And, of course, because I've been a libertarian socialist for essentially all my political life. (That I've been a diagnosed diabetic with a savage sweet tooth throughout most of the years I've used the title gives a bit of resonance to it, too.)

But also, and certainly not least, because of the Freedom Now Suite composed by Max Roach and Oscar Brown, Jr., and performed by various Roach groups over the years (initially on record with a band including Abbey Lincoln, Babatunde Olatunji and Coleman Hawkins), and the Sonny Rollins composition Freedom Suite.

("Socialist Jazz" is a dismissive if teasing nick-name some fellow high-school students came up with for me. Rather difficult for me, at the time nor since, to be insulted by that combo, however overdetermined it might be, even given how it was intended.)





An interview segment, essentially, below...as one commenter on the YT post notes, "Freedom Suite" was hardly the first political statement among jazz instrumentals...


I didn't remember the Rascals' album when I named the radio show, but its resonances didn't upset me, either:


The Michael McDonald song for the Running Scared soundtrack wasn't on my radar at all at the time. Nor the much earlier Uriah Heep song.

Friday, May 17, 2013

Friday's "Forgotten" Books: the links

This week's selections, at the links below, of books with insufficient attention yet given (some books never get enough)...if I've missed yours or someone else's, please let me know in comments. Patti Abbott will be compiling the list again next week, and in two weeks would like to see your review of an Elmore Leonard fiction for your Friday entry, if you're game...

Sergio Angelini: Fuzz by "Ed McBain"

Joe Barone: Nobody's Perfect by Donald Westlake

Brian Busby: A Dum-Dum for the President by "Martin Brett"

Bill Crider: The Yggyssey by Daniel Pinkwater

Scott Cupp: Lost Girl in the Lake by Joe McKinney and Michael McCarty

William F. Deeck: Sleep No More by Sam S. Taylor

Loren Eaton: Vurt by Jeff Noon

Martin Edwards: A Question of Proof by "Nicholas Blake"

Peter Enfantino, John Scoleri & Jack Seabrook: The House of Mystery, etc.

Barry Ergang: Brass Knuckles by Frank Gruber

Curt Evans: Murder at Bermuda and Murder of the Honest Broker by Willoughby Sharp

Ed Gorman: How Like an Angel by Margaret Millar

Douglas Greene: Bodies in a Bookshop by "R. T. Campbell"

Jerry House: Sweet Genevieve by August Derleth

Randy Johnson: Once Upon A Murder by Robert J. Randisi & Kevin D. Randle

George Kelley: Murder in the Wind (aka Hurricane) by John D. MacDonald

Margot Kinberg: Breach of Promise by Perri O’Shaughnessy

Rob Kitchin: The Dance of the Seagull by Andrea Camilleri

B.V. Lawson: Exeunt Murderers by "Anthony Boucher"

Evan Lewis: Spicy Detective Stories edited by Tom Mason

Steve Lewis: The Phantom Spy (aka War for Sale) by "Max Brand"

Ed Lynskey: The Bloody Spur by Charles Einstein

Neer: Night Screams by Bill Pronzini and Barry N. Malzberg

Todd Mason: Backing into Forward by Jules Feiffer; Pogo: Through the Wild Blue Yonder by Walt Kelly

John F. Norris: Scream for Jeeves by P. H. Cannon

James Reasoner: The Bad Man of the West by George D. Hendricks

Karyn Reeves: The Fig Tree by Aubrey Menen

Gerard Saylor: Biloxi Blues by Neil Simon

Ron Scheer: A Daughter of the Snows by Jack London; Dead Man's Ranch by Matthew Mayo (not quite as by Ralph Compton)

Kerrie Smith: Comeback by Dick Francis

Prashant Trikannad: comics on Mars







from the local paper on my 13th birthday...

Stumbled across this after the work database went down tonight (at its scheduled time to do so)...The Nashua Telegraph wasn't a great paper, but it was available for my folks' perusal at breakfast, which The Boston Globe might not be, and the Manchester Union-Leader was beserkly right-wing (as rabidly so as any daily in the U.S. at the time), even as they were mildly left-leaning...somewhat to the left of the Globe, much less the Telegraph. The Loeb paper was out of the question. I note that in the summer of 1977, I would've been catching either the CBS sitcom repeats or, at least as likely, what WENH, the New Hapmshire PBS station, was pumping out on that Saturday night: The International Animation Festival at 8p, Wodehouse Playhouse at 8:30p, The Goodies at 9p (I might well've opted for All in the Family's repeat, as I was rather less a fan of The Goodies), Python at 9:30p. I don't remember catching Casqe d'Or on what Channel 11 labeled PBS Theater that night, though I was a loyal viewer of the film package. (And I haven't thought of Once Upon a Classic nor Piccadilly Circus, both PBS offers, for dogs' years...)
 
Interesting to see how much more programming aimed at minority communities was in evidence even on the commercial stations in Boston at the time than one might see now, even if it was mostly low-budget discussion programming in fringe time-periods, on the weekend...but, then, WHDH had lost a license to broadcast only a few years before in a challenge, and I suspect the corporate interests in the Hub were making damned sure they covered at least a few bases to keep it from happening to them as well...